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Product Details
Our Deny Designs Recessed Framed Prints add a museum-like depth to your favorite artwork with its shadow-box frame design. Our archival fine art giclée prints use acid-free and lignin-free 100% cotton rag paper for fade resistance and color brilliance. Each artwork is produced with gallery-quality inks for superior color range and definition. Choose from four different frame colors: black, white, maple or walnut to match your unique decor taste. Recessed framed prints are available in four different sizes. And the best part? Every purchase pays the artist who designed it—supporting creativity worldwide.
Sizes Available:
- 8" x 10" x 1.625" (20 cm x 25 cm x 4.13 cm)
- 13" x 19" x 1.625" (33 cm x 48 cm x 4.13 cm)
- 18" x 24" x 1.625" (46 cm x 61 cm x 4.13 cm)
- 24" x 36" x 1.625" (61 cm x 91 cm x 4.13 cm)
Details:
- Available in four frame colors: black, white, maple, and walnut
- Space between the glass and artwork is 0.375" (0.95 cm)
- Finished with a lightweight, shatter-resistant acrylic
- Hanging hardware included
- Estimated ship date: 3-5 business days
- Every order custom printed in the USA
Paper Substrate:
- 260 gsm in weight
- Made with acid-free and lignin-free 100% cotton rag paper
- Printed on bright white, archival fine art paper with a smooth finish
- Solvent ink
- 8 color inkjet printing for excellent color brilliance and image definition
Wholesale orders are not eligible for returns or exchanges unless the product is deemed defective.
Wipe the surface gently with a slightly moist sponge or soft rag. Dry with a soft, lint-free rag. Do not wet or clean the print directly.
About the Artist
elizabeth st hilaire
Meticulously torn bits of hand-painted papers, delicately put together, form the exceptionally vibrant collages created by artist Elizabeth St. Hilaire Nelson. Born and raised in New England, she has lived in Central Florida for the past 17 years. Elizabeth’s love of collage started with a scrap box of childhood memoirs that her father had passed down to her. Stuffing these tidbits into a box beneath her bed seemed very anticlimactic so she decided to find a way to incorporate these papers, notes and snippets into a figurative collage “painting.” Her technique has evolved and changed as a result of experimentation with hand-painted, hand-made, and found papers, maps, magazines, and memorabilia. Elizabeth draws inspiration from potential collage materials that she comes across in her day-to-day; fortune cookies, tea-bag tags and the kids’ homework included!
MORE FROM ELIZABETH ST HILAIRE
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